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The politicking on House of Cards , for instance, leaks into the bedroom. They wanted to restore an equal power balance in the relationship. This would have long term consequences on the show as Elizabeth and Philip struggle to establish trust with their daughter while hiding their identities. They settled on the only position they thought was mutually pleasurable and vulnerable: the If showing a man give a woman oral pleasure is rare, the 69 is the unicorn of TV sex.
The first question the director of the episode, Thomas Schlamme, asked was how they would position the actors. That was a specific choice. It was about boobs. If The Americans explores the intimate complications of sex between two mostly committed people, Girls tries to take the same realistic approach to the confusing hookups of somethings. This feels more honest. That means people of all shapes and sizes having both good and bad sex.
It means the flaky Jessa Jemima Kirke skipping out on her abortion appointment to hook up with a stranger in a bar bathroom. It means Hannah buying spider-web-like-lingerie to try to fix her relationship. It means two people realizing they are sexually incompatible when one person cannot or does not pleasure the other.
It means interruptions, complications and awkward conversations that inevitably arise in real life. These plot lines often carry feminist undertones—after all, Dunham is one of the few young women who have been given the chance to make her own TV show.
In fact, he worries that so much attention on Connor will only serve to trivialize him. I just want people to pay attention to the character as much as they do to his sex life.
That is the challenge of expanding the TV universe. Not so for minority characters who, by virtue of being historically ignored by mainstream television, come under much greater scrutiny. Writing complex gay, female, trans or minority characters becomes a challenge: perpetuating stereotypes can be dull and offensive, and straying too far from them can alienate big audiences and the network executives who seek them out. Large media companies are at their core risk-averse and therefore slow to change.
It was there that she realized very few female characters on TV could be sexually liberated without being judged or punished by the show. This may not seem revolutionary, but Soloway says that Brenda was a feminist hero for not falling into the two categories writers often place women: the Madonna and the whore, the wife and the mistress, the virgin and the slut. When men are producing, directing and writing, she argues, they produce material that makes them feel safe.
Soloway wants to wrest control of the dominant narrative from men. This active attempt to extend beyond the male gaze has led to some complicated questions. If women are looking at a naked man, what is a turn-on for them? Do people want to see male full-frontal nudity on TV? Is a man without an erection too vulnerable to show? Can you even show an aroused male body? Is that porn?
Mark Duplass acts on Togetherness , occasionally in the buff. HBO has long tried to maintain a reputation for taking risks with sex and nudity—and has occasionally come under fire for doing so. Take, for instance, an episode in the second season of Girls when the writers explored the blurred lines of consent. As early as the pilot, Girls fans knew that Adam had particular interests in the bedroom. Some called the scene forceful and awkward. Others labeled it rape.