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Amazon Payment Products. English Choose a language for shopping. Amazon Music Stream millions of songs. Amazon Advertising Find, attract, and engage customers. Amazon Drive Cloud storage from Amazon. In a moment when Meade was completely exposed, Rodis was there, providing physical, social and professional protection.

It was a welcome change that Meade herself had initiated. The previous winter, amid the roiling outcry about sexual assault and rape culture — especially in Hollywood — Meade had gone to HBO executives and demanded change. She needed some kind of advocate on the set, someone to help her when she had a sex scene to film. She got her ask — and then some. Network executives found Rodis through Intimacy Directors International, a nonprofit she cofounded in that aims to normalize a set of standards and practices surrounding the execution of sex scenes on stage and on film.

Following suit, HBO has now adopted a policy whereby all of its shows and movies with intimate scenes will be staffed with an intimacy coordinator — either Rodis or someone like her. Along with her work on The Deuce , Rodis is already overseeing the sets of Crashing , the upcoming Damon Lindelof-helmed Watchmen series and Deadwood the movie ; she is training other intimacy coordinators to work on Jett , about a female ex-con, and Euphoria , a coming-of-age series about high school kids.

Rodis, a Cleveland native who settled in New York City 12 years ago, is a former actor with a background in movement, specifically as a stunt performer and fight scene director. Before becoming an intimacy coordinator, she trained and consulted with psychologists, entertainment lawyers, social workers and professional sex workers, among others, in an effort to do for sex scenes what has long been done for fight scenes: to acknowledge that they are fraught with potential pitfalls — physical and emotional — and to protect those involved.

The job has existed in the theater world for several years, but it is relatively new to film and television. In practical terms, Rodis is a mediator among actors, directors, producers and crew. But to have someone do it at all — the gesture of it — it helps. In other words, Rodis makes the set feel more like a real office, which is what it is for actors.

Or tell a story with their movements? At worst, you have actors who are being physically assaulted. Rodis says that most people she talks with have a horror story about a badly made sex scene that made them feel extremely uncomfortable. While seemingly subtle, that kind of direction can be all the more vital when filming a series.

With movies, Meade explains, she would likely have weeks of advance notice about a sex scene, ample time to prepare psychologically and emotionally as well as physically.

But television is produced in a much shorter timeframe, meaning actors sometimes learn about the specifics of a sex scene just 24 hours before filming it. Having Rodis there to notify her of changes and strategize her approach, Meade says, has helped her to feel more comfortable.

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